200 words #5 / Robert Rauschenberg

Robert Rauschenberg / Glacial Decoy Series (Lithograph IV) 1980, Tate Collection, purchased 1981.

RR Tate collection.jpg

Glacial Decoy Series (Lithograph IV) 1980 / Robert Rauschenberg / Lithograph on Paper / 1680 x 1022 mm / Tate Collection / Purchased 1981.

In December this year Tate Modern will launch a retrospective of work by Robert Rauschenberg, the first since the artist’s death in 2008. It is being sold as a retrospective of a giant of Pop Art, and to many observers and the wider public Rauschenberg falls into an aesthetic category alongside Andy Warhol, Roy Lichtenstein, and Tom Wesselmann. Developments in colour print media allowed these artists to riff off contemporary events with an enviable cool and on a scale which was unavailable to collage artists at the start of the century.

I never saw Rauschenberg as a true Pop artist. The energy of the times does echo through much of his most iconic work, in silkscreens such as Retroactive for example, but it is an energy which is dependent on proximity to that moment in time for its impact. If Rauschenberg’s work had not had something more substantial in its makeup, we might not pay it much attention today. Far more than the imagery he appropriated from media sources, what remains fresh and fascinating is the way Rauschenberg could put an artwork together, assembling paintings as though they were three dimensional, and approaching sculpture with the hand of a painter.

A retrospective of the art of Robert Rauschenberg will be on show at Tate Modern, London from December 1st 2016 to April 2nd 2017.

Tate Modern – Robert Rauschenberg Retrospective

Author: Robbie O'Halloran

Artist and writer working in London

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