Richard Tuttle / My Birthday Puzzle @ Modern Art / March 31 – May 13, 2017

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Richard Tuttle, Releasing: Biologically Poor Endings, IX, 2016, quarter-inch birch plywood, canvas, crayon, acrylic, graphite, acrylic gesso, nails, 68.6 x 66 x 3.5 cm, 27 1/8 x 26 x 1 3/8 ins, courtesy Stuart Shave/Modern Art, London

There was a time when Richard Tuttle’s understated assemblages were considered by some commentators to be so insubstantial as to be an affront even to minimalism. Better to be made of nothing at all than to be made of almost nothing, they might have said. It might have been the almost-there fragility of his assemblages to which they took exception, cobbled together as they seemed to be, out of the most commonplace craft materials such as string, glue, fabric, scraps of timber, and acrylic paint. At a time when minimalist art was predominantly the slick, machine-made product of an extended process of intellectual refinement, Tuttle’s unkempt art school project rejects seemed outrageously unsophisticated and unfinished. Continue reading “Richard Tuttle / My Birthday Puzzle @ Modern Art / March 31 – May 13, 2017”